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Также известно как: freq_out 5
Члены группы Freq_Out: BJNilsen, Brandon LaBelle, Carl Michael Von Hausswolff, Finnbogi Pétursson, Franz Pomassl, Hans Sydow, J.G. Thirlwell, Jacob Kirkegaard, Jana Winderen, Kent Tankred, Maia Urstad, Mike Harding, PerMagnus Lindborg, Petteri Nisunen, Tommi Grönlund
Группа в интернете: http://www.freq-out.org

Дискография Freq_Out:

# Название релиза Информация об aльбоме Купить альбом в iTunes Год издания Лейбл
1 freq_out [0—∞Hz] 13 audio iTunes 2004 Ash International
2 freq_out 2 3 audio iTunes 2005-09-00 Ash International
3 Untitled 2 audio iTunes 2008 Curious Records
4 Dreamlands 3 audio iTunes 2009-05-01 Touch

What: freq_out is a sound installation comprised of 12 individual sound works each utilizing a specific frequency range, made on site, and amplified to act as a single, generative sound-space. Where: Any large self-contained space will work. The first event took place at Charlottenborg Exhibition Hall, Copenhagen, Denmark, in June 2003. Who: Encouraged by d!sturbances, Swedish artist and curator C M von Hausswolff assembled a collection of 13 artists, consisting of sound artists, architects, composers, producers, sculptors, mathematicians and visual artists. The installation was part of 'd!sturbances', a larger event taking place at the Royal Danish Theatre and Charlottenborg in Copenhagen. How: Each artist is assigned a frequency range with which to work. This process is carried out in situ, each using a workstation consisting of a mixing desk and PA system. All the resulting compositions are then amplified together in the space to create a sound installation or performance. The frequency ranges are: 0-25Hz 25-60Hz 60-90Hz 90-140Hz 180-250Hz 250-350Hz 350-500Hz 500-1000Hz 1000-2000Hz 2000-5000Hz 5000-11000Hz Why: The project reveals how space-specific certain frequencies can be, but also how other sounds can be separated from their source and 'thrown’ around the space. It also shows how sound 'fits’ (or not) into the space provided by exploring the complexities of frequencies and their interaction. The final mix not only reveals the innate properties of the frequencies, but also the possibilities when they are combined.

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